The dissolution between reality and fiction, in which the idea of a perpetual present arises thanks to technology, creates illusions and cultural distortions regarding the idea of knowledge and progress. Through the lost-plate woodcut, the idea of non-place is metaphorized, through abstractions of torture objects as moral and systematic punishment, sadism and voyeurism, object-places that can portray the end of hope, of life and at the same time are the scenes of a macabre spectacle that even today causes morbidity and suggestion, the pain of others as entertainment. Series of 10 lost-plate woodcuts 2019-2022

CREDITS:

Audiovisual production: Lorena Sánchez and Kadir Molano